Sunday, August 30, 2020

Growing Pains - 55

There is treasure all around
but you blacken and turn inward.

You are an ink blot
on an illuminated manuscript

a burning nettle
in a field of wildflowers

a sliver
in the knuckle of a pink finger

Let me help you pack
your blanket and suitcase.
You no longer belong
or want to be here.


This is 55 words for Hedgewitch at Verse Escape.  It's regarding a dream I had two nights ago.




Saturday, October 24, 2015

Something New(ish)!


Hi Everyone -

Maybe you've noticed it's been quiet here for quite awhile.  That's because I've moved.  I hope you will go check out what I'm doing at my new blog, here :  In Other Words.




Monday, September 7, 2015

Neighbors

    Image by Tess Kincaid
   
While the adage is true,
good fences make good neighbors
don't forget the gate.


For Magpie Tales, carried across the Atlantic.

*The adage is, of course, from Robert Frost's poem Mending Wall.



Sunday, September 6, 2015

Tracking Time

Take
this day
It is your starting block
to hurtle into tomorrow and tomorrow
and ten thousand tomorrows.
More if
you’re lucky

Minutes, hours may drag
but the years screech past
relentless as a train

Meanwhile, you have these
empty days
to fill with
colors, bright or muted
music,
white noise or a
frantic cacophony.
You choose
today



Thursday, September 3, 2015

Night Tones

    Nocturne in Grey and Silver by Jame McNeill Whistler


Dark walls of water
and sea-foam lace
reach up for a moon
pinned impossibly high,
while the woods settle in
to the bed of the earth
with a shrug and a yawn and a sigh.
Then you lean into me
as I reach out for you
and we bid all the specters good bye,
 at the edge of a world
where the nightmares are curled
and the stars fall away from the sky.


Over in the Imaginary Garden Hedgewitch asked us to write a piece in keeping with the Tonalist painting movement, "with 'no under drawing,' by tkaing an idea, a place, a persn, an event or a mood and quickly fleshing out a portrait of it in a blur of words.  Use language to mass light and dark verbal'tones' and build up our poem in dashes of description and image. The end result should be something immediate but 'misty.'  Or we could use a painting from this school to inspire our writing.  I'm not sure I achieved that first bit, so the painting is one from the Tonalist School. 




Sunday, August 30, 2015

Fine Art

   Artist in His Studio by Remberant


Don’t you see
it’s the art that matters -
that’s what matters
they say,
not the artist
not the life
not the love
not the heartbreak
not the scars
not the anger
not the joy
not the long hours of boredom
not the sinking nights
not the coffee-infused mornings
not the growing pains
of body, or soul, or life, or death
that generated them
but the mill, the night watch, the philosopher in meditation
or the sunflowers, the irises, the olive trees
or guernica or three musicians or the kiss

...so long as it matches the couch


Sometimes I wonder about how we judge the value of art, and in this picture, provided by Bjorn at The Imaginary Garden, the size of the canvas relative to the aritst is what prompted this particular little musing.



Sunday, August 23, 2015

Strung Along

Like a puppet
you have strings 
attached
dancing 
to another’s tune
until you are
tied down.

For Margaret's "Play it Again, Toads" at IGRT.  I went back to Mama Zen's Words Count.  She asked us to write about a power image (part art, part personal mythology, part creative shorthand part art, part personal mythology, and part creative shorthand...anything that a writer imbues with a greater meaning that it would ordinarily have and adopts it as a signature symbol) in 25 words or less.  I'm not sure this is really a "power image" by her definition, but it is a recurring thing in my writing.